Rev 8:5, 14:2 | Barnes | STEP | Verse 5. And the angel took the censer . , This is a new symbol, designed to furnish a new representation of future events. By the former it had been shown that there would be much prayer offered; by this it is designed to show that, notwithstanding the prayer that would be offered, great and fearful calamities would come upon the earth. This is symbolized by casting the censer upon the earth, as if the prayers were not heard any longer, or as if prayer were now in vain. And filled it with fire of the altar . An image similar to this occurs in , where the man clothed in linen is commanded to go between the wheels under the cherub, and fill his hands with coals of fire from between the cherubims, and to scatter them over the city as a symbol of its destruction. Here the coals are taken, evidently, from the altar of sacrifice. . On these coals no incense was placed, but they were thrown at once to the earth. The new emblem, therefore, is the taking of coals, and scattering them abroad as a symbol of the destruction that was about to ensue. And cast it into the earth . Marg., upon . The margin expresses undoubtedly the meaning. The symbol, therefore, properly denoted that fearful calamities were about to come upon the earth. Even the prayers of saints did not prevail to turn them away, and now the symbol of the scattered coals indicated that terrible judgments were about to come upon the world. And there were voices . Sounds, noises. . The order is not the same here as there, but lightnings, thunderings, and voices are mentioned in both. And an earthquake . . This is a symbol of commotion. It is not necessary to look for a literal fulfilment of it, any more than it is for literal "voices," "lightnings," or "thunderings." (1) "it" "upon" (a) "voices" (b) "earthquake"

Revelation of John 8:5

Verse 5. And the angel took the censer. Rev 8:3, This is a new symbol, designed to furnish a new representation of future events. By the former it had been shown that there would be much prayer offered; by this it is designed to show that, notwithstanding the prayer that would be offered, great and fearful calamities would come upon the earth. This is symbolized by casting the censer upon the earth, as if the prayers were not heard any longer, or as if prayer were now in vain.

And filled it with fire of the altar. An image similar to this occurs in Eze 10:2, where the man clothed in linen is commanded to go between the wheels under the cherub, and fill his hands with coals of fire from between the cherubims, and to scatter them over the city as a symbol of its destruction. Here the coals are taken, evidently, from the altar of sacrifice. Isa 61:1. On these coals no incense was placed, but they were thrown at once to the earth. The new emblem, therefore, is the taking of coals, and scattering them abroad as a symbol of the destruction that was about to ensue.

And cast it into the earth. Marg., upon. The margin expresses undoubtedly the meaning. The symbol, therefore, properly denoted that fearful calamities were about to come upon the earth. Even the prayers of saints did not prevail to turn them away, and now the symbol of the scattered coals indicated that terrible judgments were about to come upon the world.

And there were voices. Sounds, noises. Rev 4:5. The order is not the same here as there, but lightnings, thunderings, and voices are mentioned in both.

And an earthquake. Rev 6:12. This is a symbol of commotion. It is not necessary to look for a literal fulfilment of it, any more than it is for literal "voices," "lightnings," or "thunderings."

(1) "it" "upon" (a) "voices" Rev 16:18 (b) "earthquake" 2Sam 22:8

Revelation of John 14:2

Verse 2. And I heard a voice from heaven. Showing that the scene is laid in heaven, but that John in the vision was on the earth.

As the voice of many waters. As the sound of the ocean, or of a mighty cataract. That is, it was so loud that it could be heard from heaven to earth. No comparison could express this more sublimely than to say that it was like the roar of the ocean.

As the voice of a great thunder. As the loud sound of thunder.

And I heard the voice of harpers. In heaven: the song of redemption accompanied with strains of sweet instrumental music. For a description of the harp. Isa 5:12.

Harping with their harps. Playing on their harps. This image gives new beauty to the description. Though the sound was loud and swelling, so loud that it could be heard on the earth, yet it was not mere shouting, or merely a tumultuous cry. "It was like the sweetness of symphonious harps." The music of heaven, though elevated and joyous, is sweet and harmonious; and perhaps one of the best representations of heaven on earth is the effect produced on the soul by strains of sweet and solemn music.

(d) "voice" Rev 19:6 (e) "harping" Rev 5:8,9